![]() ![]() that's sort of the preventative medicine.Įxcept, in this case, the threat of getting fired wasn’t “preventative medicine” enough to stop that infamous shot of an unmasked Andrew Garfield squatting in front of a blue screen and holding on to what fans believed to be the scaffolding system that was structured around the Statue of Liberty. And then when they get that, it's usually sent as a sequence, and your name is watermarked across the whole thing. As a studio, when Marvel/Sony sends over a sequence to a visual effects studio to begin work, we call that a turnover. I think the main thing that keeps people from doing it is just, they're gonna lose their job, like, forever. In this case, I think they did, or an out-sourced vendor is where I think really came from. Like, our visual effects team was by far our biggest team there is and often the leaks don't necessarily come from VFX. When discussing the amount of work that goes into a massive blockbuster of this scale, Port admitted: VFX artist Kelly Port, whose credits include several Marvel Cinematic Universe movies as well as Spider-Man No Way Home, sat down for an episode of “Visual Effects Artists React” on Corridor Crew and eventually opened up on HOW the footage of Andrew Garfield probably made its way into the public. ![]()
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